Gender and the Fictions of the Public Sphere, 1690-1755 by Anthony Pollock

By Anthony Pollock

Challenging the longstanding interpretation of the early English public sphere as well mannered, inclusive, and egalitarian this book re-interprets key texts by way of consultant male authors from the period―Addison, Steele, Shaftesbury, and Richardson―as reactionary responses to the widely-consumed and strangely subversive paintings of ladies writers resembling Mary Astell, Delarivier Manley, and Eliza Haywood, whose political and journalistic texts have up before obtained little scholarly attention. by way of studying quite a lot of fabrics produced among the 1690s to the 1750s, Pollock exposes a literary market characterised much less by cool rational discourse and genial consensus than via vehement contestation and struggles for cultural authority, quite in debates about the right volume of women’s participation in English public life. Utilizing innovative methods of study and research the book  reveals that even at its second of inception, there has been an immanent critique of the early liberal public sphere being articulated by means of ladies writers who have been keenly conscious of the hierarchies and strategies of exclusion that contradicted their culture’s oft-repeated appeals to the foundations of equality and universality.

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Extra resources for Gender and the Fictions of the Public Sphere, 1690-1755 (Routledge Studies in Eighteenth-Century Literature)

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As a result, there remains in her critical discourse an unresolved tension between her Christian promotion of women’s obedience out of their “sincere love of order” in the abstract (RM 58), and her barely muted insistence that the “order of the world” be rationalized. In her earlier work, however, and most especially in the two parts of her Serious Proposal (1694–97), Astell had articulated a way for women to negotiate the two competing injunctions she would have them follow (obey and reform) by establishing a women’s “monastery, or .

As a result, there remains in her critical discourse an unresolved tension between her Christian promotion of women’s obedience out of their “sincere love of order” in the abstract (RM 58), and her barely muted insistence that the “order of the world” be rationalized. In her earlier work, however, and most especially in the two parts of her Serious Proposal (1694–97), Astell had articulated a way for women to negotiate the two competing injunctions she would have them follow (obey and reform) by establishing a women’s “monastery, or .

SOCIAL ENGAGEMENT AND FEMINIST COUNTERPUBLICNESS: THE HABERMASIAN ASTELL? Mary Astell stands out as in some ways the staunchest defender of women’s participation in early enlightenment print culture and the most acute critic of England’s actually existing public sphere. 27 In the brilliant preface she adds to the third edition of her Refl ections Upon Marriage (orig. 1700, 3rd ed. 1706), Astell claims that her publicly circulated treatise on the dangers faced by women entering the marriage market will aim “to correct abuses .

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